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This is a DRAFT program [July 5].

Thank you for your patience as the final details have been arranged

(including finalising visa and travel arrangements). 

Information correct at time of publishing. Subject to updating and correction

Complete selection form and submit

Updated Program Overview

Each IDEA Congress program reflects the culture of the local host organisation. 

In Kenya, field visits were featured. In Brazil, the closing ceremony took place in the wilderness.

IDEA 2024 in China reflects the pattern of IDEAC Congresses with keynote presentations on the first two days and all Academic Papers and Workshops on days 3 and 4.

Program is a DRAFT.

Changes are still happening.

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IDEA2024 Congress Workshop/Paper/SIG Selection

Thank you again for registering to attend the IDEA2024 Congress in Beijing, China.

Through this form you will share your choices for Workshops/Paper sessions/Special Interest Groups (SIGs).

Please complete and submit by 5 July 2024.

The DRAFT Congress program is available on the IDEA2024 Congress website or clicking the link here.

It is important to note:

The Congress will work to providing you with your preferred selections. Sometimes this is not always possible. Some workshops have limits on participants. There may be clashes in times (for example,if you are a presenter in the program).

Are you a Congress presenter?

Choose your Special Interest Group (SIG)

Please check the DRAFT program for dates and times of SIG.

Single choice
SIG Lab Topic 1: Drama and Peace Education
SIG Lab Topic 2: Puppetry in Theatre Education -- Procedures, Techniques, and Practical Applications
SIG Lab Topic 3: How to use theatre as a medium to teach 21st century employability skills
SIG Lab Topic 4: Exploring the integration of drama education in Chinese Language Education -- Enhancing the learning experience and increasing engagement
SIG Lab Topic 5: Making Drama a strategic, tactical, and implementation step in the school curriculum

Choose Academic Paper Presentations for Thursday 18 July 09:00-12:00

This is a parallel event (held simultaneously with SIG)

Participants choose one

Please refer to the DRAFT program for full details (limited space on form)

Single choice
ROOM 1 Please refer to full program for details ①Xie Jingjing (Guangdong, China) ②Yuan Zengxin (Hebei, China) ③Zheng Danyu (Zhejiang, China) ④Qingya Zhao(China) ⑤Lan Yan
ROOM 2 ① Cariad Ann Astles (UK) ② Robin Pascoe (Australia) ③ Bogdana Cretu Online (Romania); Romina Borda Su online (Romania); Andreea Jicman (Romania) ④ John O 'Toole (Australia), Yi-Man AU (Hong Kong, China)
ROOM 3 ① Maria Magdalena Jianu (Romania) ② Sanja Krsmanovic Tasic (Serbia) ③ Kim Su-youn (Korea) ④ João Garcia Miguel (Portugal)
ROOM 4 ① Mette Bøe Lyngstad (Norway) ② Monika Necpalova (Slovakia) ③ Lawrence O 'Farrell (Canada) ④ Solomon Yaw Dartey (Ghana)

Choose Academic Paper Presentations for Friday 19 July 09:00-12:00

Participants choose one

Please refer to the DRAFT program for full details (limited space on form)

Single choice
Academic Papers 5 ① Naoko Araki (Japan) ② Yongse An (Korea) Eunjung Yu (Korea) ③ Beth Murray (US) Irania Macias (US) ④ Isaac Siu (Hong Kong, China)
Academic papers 6 ① Kim Ji Yoon (Korea) ② Mariëtta Bettman (South African and Dutch) ③ Pınar Özdemir Şimşek (Turkey) Ömer Adıgüze (Turkey) ④ Roberson de Sousa Nunes (Brazilian)
Academic Papers 7 ① Ji Pei (Beijing, China) ② Qu Ding Qin (Hubein, China) ③Chen Yi ( Zhejiang China) ④ Lin Xijie (Beijing, China) ⑤Yi-Man AU (Hong Kong, China) Ka-Yan YAU(Hong Kong, China)
Acadeic Papers 8 ① Lu Dier (Beijing, China) ② Chi Xiabing (Zhejiang, China) ③ Luo Leyu (Guangdong, China) ④ Miao Bin (Sichuan, China) ⑤ Xie Qiwen (Guangdong, China) ⑥ Qiao Xiuqing(Shandong, China)

Choose your Workshop for Thursday 18 July 13:30-16:30

Participants choose one

Please refer to the DRAFT program for full details (limited space on form)

Single choice
Workshop W1 Asa Helga Proppe Ragnarsdottir (Iceland) ① Games in the classroom
Workshop W2 Stig A. Eriksson (Norway) The Fiddler Girl. Exploring Jon Fosse’s children’s book through process drama
Workshop W3 Naoko Araki Naoko (Japan) Learning English through an experiential approach
Workshop W4 Helen Sandercoe (Australia) Girl Saves Crane (Bird)/ Crane Saves Girl; a process drama exploring a Chinese picture book
Workshop W5 Jane Ann Carter (Australia) Clowning Workshop
Workshop W6 Jo Raphael (Australia) Co-presenter: Katherine Zachest (Australia) A Time to Act – Sustainability and Drama Education
Workshop W7 Janinka Greenwood (New Zealand) Using Drama as a Research Method - why? and how?
Workshop W8 Jeffrey Tan (Singapore) Empowering Seniors to lead Seniors, a Collaborative Leadership Process Drama
Workshop W9 Jungmi Hur (South Korea) Writing Beyond Words: exploring on post-process and drama in ESL creative writing
Workshop W10 Mihaela Sirbu Online (Romania) Co-presenter: Andrei Atabay (Romania) loana Lixandroaia (Romania) Embracing the Tower of Babel - The Power of nonverbal communication
Workshop W11 Olafur Gudmundsson (Iceland) Improvised Dramatic Writing
Workshop W12 Presenter: Kathryn Dawson (US) Co-presenter: Xinyue Zhang (China) Daring to Dialogue: Activating visual literacy through drama-based pedagogy

Choose your Workshop for Friday 19 July 13:30-16:30

Participants choose one

Please refer to the DRAFT program for full details (limited space on form)

Single choice
Workshop W13 Presenter: Monika Necpalova (Slovakia) Commedia dell ́Arte as a comedic and physical theatre approach to social differences
Workshop W14 Presenter: Suncica Milosavljevic (Serbian) Co-presenter: Nataša Milojević (Serbian) SEED – Sustainability Education and Empowerment through Drama Concise program presentation and workshop on Social Justice
Workshop W15 Presenter: Fiona Martin (Australia) Student Voice (Applying Brechtian and Enchantment Methodologies, Facilitating Learning Wellness)
Workshop W16 Presenter: Yolanda Cretescu Online (Romania) Simone Pustianu (Romania); Vlad Galler (Romania) ‘Embracing Diversity. Exploring Multicultural Sensorial Narratives.’
Workshop W17 Presenter: Olafur Guðmundsson (Iceland) Building Blocks for Drama in Second Language Teaching
Workshop W18 Presenter: Roberson de Sousa Nunes (Brazil) Haiku, nature and performance: a poetic intervention in everyday life
Workshop W19 Presenter: Henrietta Stathopoulos (AUS) “Imagination and creativity is the only weapon in the war against reality”
Workshop W20 Presenter: Subodh Patnaik (India) METHODS OF “THEATRE FOR AWARENESS/EDUCATION” AS PRACTICED BY NATYA CHETANA SINCE 1986 IN INDIA
Evangelia Karydi (Greece) Drama Activation: The use of experiential storytelling in a language classroom
Workshop W22 Presenter : Heli Hannele Aaltonen (Finland) Seagulls, humans and performance: exploring human and more-than-human otherness
Workshop W23 Presenter: Natasa Milojevic (Serbia) Discovering the World – creative movement workshop for preschoolers
Workshop W24 Presenter: Mette Bøe Lyngstad (Norway) Enabling cross-cultural communication and understanding through drama and applied theatre for masters students practice abroad
Workshop W24 Presenter AnaPinter Serbia YoungTheater Experts Method

Please tell us about your food preferences

During the congresses, please let us know if you have specific food requirements for the lunches. The Congress organisers will do their best to meet your requirements. Please understand if there are any issues.

Please choose ONE

Additional question:

Sightseeing Tour for International Participants

One Saturday July 20, International Participants are invited to join the sightseeing tour organised for International guests.

Will you be taking that tour.

The Congres team need to know so that arrangements can be made.

Choose one answer

You must submit your choices

by July 5.

After that date, the Congress cannot guarantee your preferences will be able to be met.

Remember:

as with past IDEA Congresses, it may not be possible to attend your first preference. When participants have a choice of workshops, it may be that some workshops have few people choosing it.

Click on Button to download DRAFT program

Remember

NOTE:

The two versions contain same information.

They are formatted differently using different conventions and layout.

There are still some presentations to be added.

Check back for updates.

There are some presentations to be added.

Check back for updates.

The sign up form for selecting workshops/papers to be added

"Add a quote you would like to feature. Maybe it's a message from the founder or something that reflects your brand's character. Click to edit and add your own."

Information about Academic Papers

Thursday July 18

Global Forum for Sharing Outstanding Papers and practice Cases 1

① Project-style learning of preschool drama education -- Using "drama" as the medium to let each child act as their own -- Practical research on integrating project-style learning into children's drama activities Shared by Xie Jingjing (Guangdong, China)

② Whole school drama education + Non-inherited innovation -- non-legacy drama inheritance and innovation practice             shared by Yuan Zengxin (Hebei, China)

③ Drama education and education market -- What is the product: A realistic clue to the ideal drama education scene Shared by Zheng Danyu (Zhejiang, China)

④Drama in Chinese Primary Schools: A Scoping Review Qingya Zhao(China)

⑤Incorporating Drama Activities and Mini-drama Videos in TEFL Curriculum: An Experimental Drama Intervention by Lan Yan

Global Forum for Sharing Outstanding Papers and practice Cases 2

① Navigating loss: puppetry as a means for children to grieve Shared by CariadAnn Astles (UK)

② The Power of Stories in the Change Process  by Robin Pascoe (Australia)

③ Drama-based activities for children with different abilities: Bogdana CretuOnline (Romania); Romina Borda Su online (Romania); Andreea Jicman (Romania)

④ Developing capacity-building through drama in human services training: John O 'Toole (Australia), Yi-Man AU (Hong Kong, China)

Global Forum for Sharing Outstanding Papers and practice Cases 3

① Theatrical activities to improve the quality of life of children with cancer  Maria Magdalena Jianu (Romania)

② Can we prevent cyberbulling through drama education and theatre?The story of “words of stone”and project “togetherness”  Sanja Krsmanovic Tasic (Serbia)

③ An exploration of the artistic and educational aspects of drama created within a theatre format  Kim Su-youn (Korea)

④Communities | Common Identities | Shared Immunities - journey into non-formal performing arts education community based  João Garcia Miguel (Portugal)

 

Global Forum for the sharing of Outstanding Papers and practice Cases 4

① Enabling cross-cultural communication and understanding through drama and applied theatre for masterstudens practice abroad  Mette Bøe Lyngstad (Norway)

② One-on-One Storytelling Intergenerational Show Monika Necpalova (Slovakia)

③ Building a community of arts education:Breaking down the silos  Lawrence O 'Farrell (Canada)

④ Resurgence of Play Productions: A Growing Trend in Ghanaian International Schools Solomon Yaw Dartey (Ghana)

Friday July 19

Global Forum for presenters of Excellent Papers and Practice Cases 5

① Knowledge transmition to Open Dialogues: a framework using process drama as a pedagogical intervention  Naoko Araki (Japan)

② Transnational Arts Education: An Analysis of Cultural Exchange between Korean and Japanese Drama/Theatre Teaching Artists

   Yongse An (Korea)  Eunjung Yu (Korea)

③ Tatas Tales/Los Cuentos de las Tatas: Breast Cancer Survivor Stories & Theatre  Beth Murray (US)  Irania Macias (US)

④ Process drama engages younger-aged children’s language learning: a structural literature review  Isaac Siu (Hong Kong, China)

Global Forum for presenters of Excellent Papers and Practice Cases 6

① Exploring the Role of Teaching Artist in the Emergent Dramatic Play  from a Perspective of Posthuman Children   Kim Ji Yoon (Korea)

② Wonder why? Exploring difficult social situations with pre-adolescents during Creative Arts classes   Mariëtta Bettman (South African and Dutch)

③ Increasing Effect and Usage of Drama in Education - Experience and Practice after Pandemi: Turkey Example  Pınar Özdemir Şimşek (Turkey) Ömer Adıgüze (Turkey)

④ Haiku and nature:an inspiration for teaching theater in Brazilian basic

education  Roberson de Sousa Nunes (Brazilian)

Global Forum for presenters of Excellent Papers and Practice Cases 7

① College aesthetic education infiltration action "drama + Education" social function transformation case  Ji Pei (Beijing, China)

② Exploration and practice of drama education in classroom teaching of primary and secondary schools -- Taking textbook drama as an example.Qu Ding Qin (Hubein, China)

③ Practice and reflection of educational drama in the Course of Modern Chinese Literature History: A Case Study of Lu Xun, Cao Yu and Ai Qing's classic Texts  Chen Yi ( Zhejiang China)

④ Drama Education and Chinese Teaching in Primary and secondary schools + Universities -- Teacher Education Elective/Drama and Chinese Classics Course of Normal University  Lin Xijie (Beijing, China)

⑤What’s Next in Applied Theatre: A case study on The Day I Lost to explore the potential of the integration of games and interactive theatre practice Yi-Man AU (Hong Kong, China)  Ka-Yan YAU(Hong Kong, China)

Global Forum for presenters of Excellent Papers and Practice Cases 8

① Experience sharing of collective Design Theater  Lu Dier (Beijing, China)

② Interdisciplinary teaching based on educational drama  Chi Xiabing (Zhejiang, China)

③ Collective creation and campus community construction -- A case study of "The Wind of the Gentleman" in Guangya Middle School, Guangdong Province   Luo Leyu (Guangdong, China)

④ The practice and exploration of primary and secondary school drama education Miao Bin (Sichuan, China)

⑤ Drama education and the education market -- Building a bridge between drama education experts and frontline teachers  Xie Qiwen (Guangdong, China)

⑥Primary and secondary school drama education and psychology and other disciplines -- The application of educational drama in anti-bullying training of class teachers -- Empirical research from three schools  Qiao Xiuqing (Shandong, China)

IDEA2024大会议程

大会计划正在制定中。

请回来查看更多信息。

More details will be available at later dates. If you need any information about the conference please contact the IDEA Administrator  ad.ideadrama@gmail.com.

 

更多细节将在稍后公布。若您需要有关会议的任何信息,请联系

关键计划组成部分

Key components program with Chinese annotations.png

Overview Information about Program

IDEA Beijing Image copy_edited.jpg

Congress program Overview.

The details of the Congress are being finalised and will be provided on the IDEA 2024 Congress website.​

The following general information may be helpful for making flight and accommodation bookings.

 

Dates of Congress July 15-20, 2024.

General Council Meeting

If you are planning to attend the IDEA General Council Meeting (GCM), you need to plan to be available on Monday 15 July. 

General Overview

Monday 15 July

Registration and General Council Meeting

Tuesday 16 July

The Congress Official Opening

Tuesday 16 & Wednesday 17 July

The first 2 days of the Congress –– will include Keynote Speeches.

Thursday 18 and Friday 19 July

Workshops and Academic papers 

Special Interest Groups. 

There will be sessions of the General Council Meetings on Thursday 18 and Saturday 20 July.

Saturday 20 July

Sightseeing for international participants not in the GCM will be arranged for.

The Congress Official Closing

节目亮点

IDEA 2024大会的特点

了解更多

IDEA 理事会会议

每届 IDEA 大会的一个重要方面是与决策机构 IDEA 总法律顾问的会议

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